LA RISA (LAUGHTER) Florian Trübsbach - alto sax, Larry Porter - piano, Marco Chacón -
bass, Dimitris Christides - drums
EMERALD FOREST Florian Trübsbach - alto sax, Larry Porter - piano, Marco Chacón -
bass, Dimitris Christides - drums
Quarter To Four Larry Porter - piano, Andreas Lang - bass, Joe Smith - drums
COMPOSER
Kind Of Jazz Suite for 8 French horns - 2nd Movement (Larry Porter)
Berlin Philharmonic Horn Ensemble
Kind Of Jazz Suite
Larry Porter was asked by his friend Stefan Jezierski from the Berlin
Philharmonic to write a jazz-influenced piece for the 8 french horns of
the orchestra. It was premiered in the chamber music hall and was received
with rousing applause by the audience. The piece was later played by horn
professor Marie Luise Neunecker and her students. The third movement was
released on the CD Wilde Klassik (BPH0501), a collection of chamber
music played by various Berlin Philharmonic ensembles.
Larry Porter (geb. 1951)
KIND OF JAZZ SUITE
Auftragswerk der Berliner Philharmoniker Uraufführung, Kammermusiksaal
1. Ballad
2. Bossa
3. Blues
Hornisten der Berliner Philharmoniker
Radek Baborak
Stefan Dohr
Norbert Hauptmann
Stefan de Leval Jezierski
Fergus McWilliam
Georg Schreckenberger
Klaus Wallendorf
Sarah Willis
...from the original program notes:
Larry Porter ist der einzige Komponist im zweiten Teil des heutigen
Konzerts, der nicht selbst hauptberuflich ins Horn stößt. Der
in Berlin lebende Amerikaner nennt das Klavier und die orientalische Laute
Rebab als seine Hauptinstrumente. Er ist in der afghanischen Folklore
ebenso beheimatet wie im Jazz. Von den Hornisten der Berliner Philharmoniker
hat er sich dazu inspirieren lassen, "ein Stück mit harmonischen
und rhythmischen Elementen des Jazz zu schreiben und gleichzeitig die
kammermusikalische Integrität des Ensembles zu wahern." Kind Of Jazz Suite (eine Art Jazz Suite) besteht aus drei Sätzen,
denen drei typische Formen der afro-amerikanischen Musik zu Grunde liegen:
Ballade, Bossa Nova und Blues. Das Werk beginnt langsam und rhapsodisch,
nimmt jedoch im Verlauf an rhythmischer Intensität und Dichte zu.
( Marcus Gammel)
Larry Porter is the only composer in the second half of today’s
concert who is not himself a horn player. The American who resides in
Berlin calls the piano and the oriental lute, rebab, his main instruments.
He is just at home in Afghan folk music as he is in jazz. He was inspired
by the Berlin Philharmonic Horns, “to write a piece with harmonic
and rhythmic elements of jazz and at the same time preserve the integrity
of a chamber music ensemble.” Kind Of Jazz Suite consists of three movements based on typical
forms in Afro-American music: ballad, bossa nova, and blues. The work
is slow and rhapsodic at the beginning and gets increasingly more rhythmic
and syncopated as it develops.